Israeli Concertgoer Gets Full Refund After Complaining About Anti-Israel Messaging at Massive Attack Show

An Israeli concertgoer received a full refund of his ticket to see the British group Massive Attack headline London’s LIDO Festival last week after complaining to festival organizers about the “really hostile” environment at the largely politicized, anti-Israel performance, the UK’s Jewish Chronicle reported.

The Israeli, whose identity was not revealed, told the JC he felt “ambushed and unsafe” during the show at London’s Victoria Park on June 6 as part of the two-week music festival. A longtime fan of Massive Attack, he attended the performance with four other British-Israeli friends.

“When we arrived at the festival in Victoria Park, we saw a lot of ‘Free Palestine’ pins and T-shirts. We didn’t make anything out of it,” the fan said. “I wanted to hear Massive Attack, as someone who grew up on their music. I had no idea about any of their political views … They lost me as a fan.”

Before Massive Attack began their performance, pro-Palestinian activist and “The Crown” actor Khalid Abdalla took to the stage to talk about Palestinian solidarity and lead the audience in chanting “free Palestine.” Abdalla, who was introduced as a patron of the Palestine Solidarity Campaign (PSC), claimed in his speech that the pro-Palestinian solidarity movement is “the civil rights movement, the anti-apartheid movement, [and] the anti-genocide movement of our time, and that is why so many Jewish people all over the world are at the core of this movement, fighting for a world in which ‘never again’ means never again for anyone, and in which this brutal Israeli occupation ends.”

Massive Attack also displayed on large screens by the stage a montage of anti-Israel videos, including real-life footage of slain Hamas leader Yahya Sinwar – the mastermind of the deadly terrorist attack in Israel on Oct. 7, 2023 – as he walks in a Hamas tunnel. Another video called for the release of convicted Palestinian terrorist Marwan Barghouti.

“The concept of giving terrorists a stage is beyond me,” the Israeli music fan, who had friends murdered in the Oct. 7 attack, told the JC. “When we see Sinwar walking in the tunnels, it means we see our families and other Israelis in the tunnels. For us, it was glorifying him.”

The Israeli audience member said the crowd at the Massive Attack concert felt “really hostile,” so he and his group of friends ultimately decided to leave the set. During their exit, they met others who “also felt intimidated,” “scared” and “very threatened.”

In total, around 15 people exited the concert, the JC reported. They approached festival promoters, expressed their concerns, and gave their contact information. The Israeli man said later that same night, he received an email from promoters with an apology. He also received a full refund for his ticket to the LIDO festival, travel expenses, and the amount he spent on drinks at the venue.

The Israeli music fan accused LIDO Festival organizers of false advertising for not warning ticket holders about the political nature of the event.

“Massive Attack have a right to do the show as they want to, but the fact that no one told us PSC were going to be on stage – that it would be an orchestrated political event – it’s not about me being pro-Palestinian or not,” he said. “I didn’t know I was going to see propaganda on stage. It caught us off guard completely. It was about organizing a political event. Massive Attack and PSC were selling official merchandise, T-shirts designed for this festival, allowing PSC to be on stage, allowing them to put videos on the big screen – it’s not a fluke. It was well coordinated and organized.”

A Bristol-based band, Massive Attack has participated in a cultural boycott of Israel since 1999 and are longtime critics of Israel, regularly accusing the country of war crimes, apartheid, occupation, and genocide. In a released statement, they claimed videos shown at the LIDO Festival do not glorify or celebrate “any of the featured subjects,” and were taken out of context.

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